Raised on the Radio

Because growing up on 70s television didn't kill me. It just made me who I am today.


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Baby Boomers Music

babyboomer

Baby Boomers are egotistical asses, especially when it comes to music!

 

I should know.  I’m a Baby Boomer.

 

You have to remember, most Baby Boomers have followed music from its early days.  Say, a Baby Boomer, born in 1954, will remember songs from the Everly Brothers, Elvis Presley, The Big Bopper, and Buddy Holly, to name just a few.  This was the foundation of Rock & Roll.  This is also our foundation from which we build.

 

We’ve been through the challenges of life throughout history. First, just listening to Rock in the early years put us in dangerous territory with the church. Supposedly, music that made you shake your hips and jump around was “Devil Music”. Yeah, you should have been there convincing your parents it wasn’t.

 

Jerry Lee Lewis (Whole Lotta Shakin’)

 

The Beatles also made it easy for us. Why? Because immediately, guys wanted to start wearing their hair long. The Hell with the “Burr” and “Flat-Top” haircuts, we wanted it to grow and grow long. You should have been there telling that to your high school basketball coach. Talk about setting yourself up for running gut drills after regular practice for the rest of the week. Why? Because we were going against the norm of the day. We were showing the adults that we didn’t have to follow the same rules they had. Times were changing and we were, too. Long hair showed what side we were on.

 

The Cowsills (Hair)

 

We were also there for the Civil Rights movement. We fought for all to be treated the same and have the same opportunities regardless of race or sex. Talk about putting yourself in the firing line! When I talk about protesting and marching in the late 60’s in Indiana, people say, “Well, that wasn’t much. The South was where the violence was at.” Then I kindly remind them that the national headquarters of the KKK was in Indiana. Yeah, the Midwest had its share of screwed up attitudes, too. It just wasn’t picked up by the news agencies as much.

 

Temptations (Ball of Confusion)

 

The Vietnam War hit everyone. However, it was the first war where the average age of a combat soldier was only 19 years old. Kids were being sent to kill an enemy under the guise of Communism needs to be stopped. It didn’t take long for us to see that it wasn’t communism as our primary enemy, but the politicians that were using the war to create a profitable economy for their constituents that owned war machine factories. Protest after protest, kids leaving the United States and living abroad, and the rich filling the pockets of Congressmen to keep their kids from going to an early death were facts of life for the youth of the day.

 

Country Joe & The Fish (I Think I’m Fixin To Die Rag)

 

As we expanded our attitudes, we sought means to expand our minds. Marijuana, although scorned for years by the white population as a drug that destroys all will to succeed, became a drug of choice, and one that got many a person years in jail. LSD (acid, Mr. Love Saves, etc.) joined the field as a leader in allowing one to see beyond. Different strengths and compounds had varying effects on those who indulged. Most of the time, we simply enjoyed the trip. Of course, various pharmaceuticals also become common as downers and speed helped us through the madness, or maybe, even added to the madness.

 

Jefferson Airplane (White Rabbit)

 

Finally, ignoring our parents uptight feelings about sex, we made it happen. Free Sex meant that if you found someone you cared about, and they found you cool, too, there was no reason why you had to be married to get together and experience the beauty. Our parents knew this, but hid it because of the morality of the times. Oh, they had “affairs”, but they didn’t want everyone to know. Sex was a “dirty” topic that parents often only brought up too late. You learned about it from your friend’s fathers Playboy collection when they weren’t home. We wanted love, and sex was a part of that.

 

Mercy (Love Can Make You Happy)

 

Yeah, we were fighters. No matter what we wanted, it seemed society was against it in one way or another. But, we didn’t give up. We fought each battle and moved forward. Music was our partner. Regardless of the battle, it seemed as though there was a song that fit the time. We were unified, pacified, and verified by the music we listened to and believed in.

 

And now, we’re just like our parents were.

 

But, we’re still assholes with attitude!

Steppenwolf (Born To Be Wild)

 

About the Author:

Having grown up during the 50′s & 60′s, Rich was a personal witness to the confusion of the times. His love of music drew him into the conflicts of the day as he protested many of the atrocities in civil rights and an overseas war. Ironically, military service, during the final days of the Vietnam Conflict, ended a music career in a successful band. However, his love of music held true as he later chose a career as a radio announcer over law school. Here, along with being able to play the music he cherished, he interviewed many top music acts. This allowed him to gain much knowledge of the recording industry and the psyche of music artists in rock, jazz and R&B. Later, his love of performing transformed him into a career in stand-up comedy. Twenty years later, his love for music continues. Quote: “Being born in 1954, Rock ‘N Roll and I have grown up together. I wouldn’t have had it any other way!”

Keep up with him at That’s Life…Sometimes!


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There Must Be Some Misunderstanding – How a Missing Genesis Album was Eclipsed by Van Halen

guest dj 200 dark

This week’s Raised on the Radio Guest Post, is by Doug Foster. Doug and I go waaaay back and I am thrilled to have him on Raised on the Radio.

Please click this link to read this post about love and loss and Van Halen,  There Must Be Some Misunderstanding

As much as I have loved having Raised on the Radio as it’s own site, we will now be moving back to where it all began. If you want to stay on top of all the newest posts from Raised on the Radio guests, regular contributors and me, please click over to My Skewed View and subscribe.


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Radio Disc Jockey: Long Hairs Need Apply

So, you think radio was always the way it is today?

rich schlitzLet’s see, today, many “announcers” go into the studio, record all of their vocal breaks, and leave for the day. Oh, they might make a public appearance here or there, and cut a commercial or two, but in reality, radio has gone downhill over the years. I’ll go into more detail why I believe so in a few minutes.

Most radio disc jockeys in the 1970’s started at small market radio stations. These were stations where you honed your vocal skills, perfected your timing, and learned how to operate a control board. There were even mixed format stations that tried their best to reach all different audiences at specific times of the day. These were the challenges that faced anyone that wanted to “get into radio” back in the day.

Take, for instance, a station I paid my dues at. In the morning, it was a mix of local news, national news, and religious programming. It made a change to “Classic Standards” (Frank Sinatra, Dean Martin, etc.) at 9 a.m. Then, at 12 noon, there was an hour of “Checkerboard Time”, which was old Sons of the Pioneers and the Chuckwagon Gang singing, interrupted by farm news and grain reports. At 1 p.m., it was time for two hours of Country Music, followed by an hour and a half of Pop Hits, followed by an hour of “Bruce, the King Of Soul”, and finishing out the day was Pop/Rock. Versatile, to say the least.

One had to be a Jack of all trades to do the job. You had five minutes of state news to read before the top of the hour and five minutes of national news to read after the top of the hour station I.D. Of course, you had to have all your commercials either in the cart machine, or sitting in order next to it, and your music out of the news had to be cued up to start when the news was finished.

There were public service announcements that had to be read, birthdays that had to be announced and celebrated, and commercials that had to be written and recorded. The phones rang incessantly, the sister FM station, which was generally automated, needed reel to reel tapes changed, news had to be ripped off the teletypes and rewritten for broadcast, and you had to be witty on the air or you’d lose your audience.

Of course, some of that changed when you hit the larger markets. You still had to pick out some of your music, even though the Currents and rich soundboardRecurrents were in a box beside you for easy access and heavy play rotation. You were now in a market that was in the ratings book, so you really had to be aware of your audience and what amused them to simply hit your numbers and keep your job. The news was usually recorded by a true station newsperson, and the commercials were written by a production staff (which usually meant you had to fit 90 seconds worth of copy into a 60 second spot).

Pay was never good. Oh, you could survive, but the days of Howard Stern and other greats were yet to come. The real perks, for the single guy, came in the form of disc jockey groupies. No matter where you went, if you looked halfway cool, you left with a great looking partner.

There were times this was dangerous, though. One could find themselves invited to a party that turned out to be an orgy, or arrive to find Godzilla awaiting. Many of us used to tell our phone date people to meet us at such and such bus stop, and we’d pick them up in a fancy car we’d make up. We’d then drive by, see what was waiting there, and most of the time, quickly drive away in our Chevy Vega Woody Station Wagon! (I know, how callous and shallow of us! Still, you didn’t see the Godzilla we did!)

As Clear Channel and other groups bought out independent stations and made them all sound the same, many of us left the announcing industry. Luckily, I found my way into stand-up comedy. Others weren’t so lucky. I know of several that are M.C.’s at strip clubs. (I understand the perks are still quite good, though!)

The satellite radio industry still has its star announcers, as do some local stations, especially with a live morning crew. Otherwise, radio has become monotonous as the jocks are saying the same things, stations are playing the same music, and the music industry has gone in quality decline.

Wolfman JackWolfman Jack’s portrayal of a station disc jockey in the classic film “American Graffiti” is a good example of small town radio. At night, one could stretch the limits and play music not allowed in prime time. One could express opinions somewhat, as long as they didn’t conflict greatly with station policy. And, one could sit back in the silence and envision a day when they would be the master of the airwaves.

For most, the vision was only a dream.

Still, I cherish those memories. I remember having to go on a remote at a grocery store and talk for 15 minutes an hour about the world’s largest piece of cheese on tour there. (It’s the only time I could say “cut the cheese” on the air and get away with it!) I remember interviewing many rock stars that were making a comeback and hitting every little concert hall they could to revive their fame. I remember standing in front of the glass window as another jock was reading the news and doing my best to make him laugh during it. And, I remember getting ticked off at our station manager, cussing my ass off as I got up to go to another room to reset the reel to reel automation system, and looking up to see the “On Air” light still on as I left the broadcast booth. (Yeah, that one got me in trouble.)

I met my wife while I was in radio. In fact, let me introduce you to Godzilla I.

Yes honey, I was just joking. Now, go soak your tail to keep from getting all scaly!

About the Author:

Having grown up during the 50′s & 60′s, Rich was a personal witness to the confusion of the times. His love of music drew him into the conflicts of the day as he protested many of the atrocities in civil rights and an overseas war. Ironically, military service, during the final days of the Vietnam Conflict, ended a music career in a successful band. However, his love of music held true as he later chose a career as a radio announcer over law school. Here, along with being able to play the music he cherished, he interviewed many top music acts. This allowed him to gain much knowledge of the recording industry and the psyche of music artists in rock, jazz and R&B. Later, his love of performing transformed him into a career in stand-up comedy. Twenty years later, his love for music continues. Quote: “Being born in 1954, Rock ‘N Roll and I have grown up together. I wouldn’t have had it any other way!”


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New Releases by Some Classic Rockers and Singer Songwriters

new releases.jpg

Are you as burnt out as I am?

I’m ready for something new … something different … something that I can get into and forget everything that’s been going on.

tommy castro

Tommy Castro and the Painkillers just put out a new blues album. If you’re a fan of the blues, you’ll be happy to know that some of the guest artists on this release include Joe Bonamassa, Tasha Taylor, Tab Benoit, Marcia Ball, Magic Dick and The Holmes Brothers. Here’s a sample for you:

“The Devil You Know”

David Crosby  Croz

David Crosby (yeah, of Crosby, Stills & Nash fame) just released one last week, too! It’s called “Croz”, and is one of the best collections of songs he’s put out in years. Close your eyes and mellow out a bit and you’ll be able to imagine being around in the late sixties and early seventies when he was in his prime.

“What’s Broken”

bruce springsteen   98797879

And, the Boss is back. New Jersey’s own, Bruce Springsteen has just released “High Hopes”, an album of great songs that remind you who really is the boss to this day. True, Clarence is up in the sky serenading Rock Angels with his haunting saxophone. However, the Boss and is still accompanied by Nils Lofgren, Stevie Van Zandt, Max Weinberg, Patti Scialfa and others that have been with him for decades, in addition to a new relationship brewing with lead guitarist Tom Morello.

“High Hopes”

Neil Young  Live At The Cellar Door 1974

Who doesn’t like Neil Young? Okay, I saw a hand or two out there. Yes, there’s times when he goes too far with his music. But, wouldn’t you rather have that than someone who bores you to death time after time sounding the same as the previous twenty albums? No? Well, just for you, Neil released an archived performance from 1970 at the Cellar Door. Here’s a cut I know you’ll remember.

“Old Man”

Passenger   All The Little Lights

There’s a new kid on the block that brings back memories only too well. Passenger is a singer that sounds like Cat Stevens so much, you’d swear he was his son. (Could be, but who’s telling?) Seriously, if you’re looking for modern mellow, Passenger is for you. Listen to this one and tell me I’m not right.

“Let Her Go”

London Grammar  If You Wait

What do you say about a group you only discovered because their album download was just $3.99 on Amazon.com? How about far freaking out! I can only relate to the 90’s group Portishead in comparing them with any recent band, and I personally feel they exceed them in quality. London Grammar doesn’t seem like they’re going to be a flash in the pan. If they keep putting out music like this, they’ll be around for years to come.

“Hey Now”

Jennifer Nettles   That Girl

Feel like a little Country music? Remember Sugarland? Well, Jennifer Nettles has decided to give a solo album a go. It’s a little bit country, a little bit rock ‘n roll, and a little bit boring. But, if you’re looking to just sit back and lounge around for an hour, you couldn’t pick a more fitting album. “That Girl” came out a few weeks ago, and has been doing well on the charts. Give this song a chance and see if you don’t like it.

“That Girl”

So, sit back, shake the chill out of the system, and relax awhile with this Chill Out Playlist. You deserve it. Remember, soon the snow and ice will be gone and Springtime will be here! And, remember what April brings!

beatles rain

“Rain”

Ciao!

Having grown up during the 50′s & 60′s, Rich was a personal witness to the confusion of the times. His love of music drew him into the conflicts of the day as he protested many of the atrocities in civil rights and an overseas war. Ironically, military service, during the final days of the Vietnam Conflict, ended a music career in a successful band. However, his love of music held true as he later chose a career as a radio announcer over law school. Here, along with being able to play the music he cherished, he interviewed many top music acts. This allowed him to gain much knowledge of the recording industry and the psyche of music artists in rock, jazz and R&B. Later, his love of performing transformed him into a career in stand-up comedy. Twenty years later, his love for music continues. Quote: “Being born in 1954, Rock ‘N Roll and I have grown up together. I wouldn’t have had it any other way!”


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Cover Songs, Uncovered

cover songs

Have you ever heard a song that sounded so familiar you knew you’d heard it before, but it was now somehow different?

Yeah, it was probably a cover.

In the 1960’s, laws against taking a song and changing it to fit your style was common practice.  Chuck Berry and many more artists saw their classic tunes suddenly transformed into Pop Tunes performed by artists that just couldn’t meet the standards of the originals.  And, to make matters worse, there were no laws against doing it!  So, the original artist found himself listening to someone else performing their work, and reaping huge profits, without sharing a dime with the originals.

Doesn’t quite seem right, does it?

Recently, there have been accusations of Robin Thicke’s “Blurred Lines” taking from an older Marvin Gaye song.  And, Katy Perry’s “Roar” has been accused of stealing from Sara Bareilles’ song “Brave.”  Is this intentional “stealing”, or is it accidental copying by over zealous record producers?  You be the judge.

Now, I’m not including times when performers are actually honoring the original performers.  Tribute shows, such as the Beatles 50th Anniversary special, are immune from legal action.  If they weren’t, both Katy Perry’s version of “Yesterday” and Imagine Dragons rendition of “Revolution” would be cause for the performers to be incarcerated for pre-meditated butchery.  These were unfortunate in that in their attempt to honor, they demonstrated weaknesses of their own.

Still, there have been some worthy covers over the years.  Let’s look at some of them!

“The House of the Rising Sun” had originally been recorded in 1934, and had been covered many times by artists such as Roy Acuff, Woody Guthrie, Nina Simone, The Animals, and several others (including sadly, Dolly Parton).  Still, this version by the one hit wonder band, Frijid Pink, brings about a power to the song not demonstrated by others.

Frijid Pink  “House Of The Rising Sun”

 

Since I brought up the Beatles earlier, let’s talk about them a minute.  Many have attempted Beatles tunes.  In fact, Roberta Flack and others have even devoted full albums to their music.  None have ever done well on the charts as the Beatles are somewhat “untouchable” in the way they put it all together.  One man succeeded for many years in bridging this gap as he did the songs his way, instead of trying to duplicate.  His roaring acoustic guitar and rough vocal deliveries paved the way for success.  The man, Richie Havens.

Richie Havens  “Here Comes The Sun”

Marvin Gaye’s history is far and wide.  His ability to transform a song into a story that engulfed your senses and intensify your emotions is legendary.  Still, two performers have done songs by him and been very successful.  The first would be successful in whatever she tried.  Her voice is signature and her career one of the longest in music.  Here’s Gladys Knight & The Pips.

Gladys Knight & The Pips  “I Heard It Through The Grapevine”

Another artist completely surprised the listeners of the 80’s.  Orange and red hair, clothing combinations that snubbed the designers of the day, and a voice that sounded more like a New York nasal tone than a singing voice stunned the radio audiences of the day with this Marvin Gaye hit.  Here’s Cyndi Lauper.

Cyndi Lauper  “What’s Going On”

Now, for our last selection.  The question is, “Who’s the real original?”  Seems like David Crosby (of Crosby, Stills & Nash) had this boat in Florida. One weekend, Paul Kantner of the Jefferson Airplane came by for a visit.  While there, Kantner, Crosby and Stephen Stills sat down and wrote the song “Wooden Ships.”  It was done by both groups on albums that came out at almost the same time.  So, who actually recorded it first?  We’ll leave that one for the lawyers to figure out.  Here’s the CSN version.

Crosby, Stills & Nash  “Wooden Ships”

So, until you hear your favorite song done by someone who needs to keep their hands off of it, enjoy the music!

Ciao!

About the Author:

Having grown up during the 50′s & 60′s, Rich Rumple was a personal witness to the confusion of the times. His love of music drew him into the conflicts of the day as he protested many of the atrocities in civil rights and an overseas war. Ironically, military service, during the final days of the Vietnam Conflict, ended a music career in a successful band. However, his love of music held true as he later chose a career as a radio announcer over law school. Here, along with being able to play the music he cherished, he interviewed many top music acts. This allowed him to gain much knowledge of the recording industry and the psyche of music artists in rock, jazz and R&B. Later, his love of performing transformed him into a career in stand-up comedy. Twenty years later, his love for music continues.
Quote: “Being born in 1954, Rock ‘N Roll and I have grown up together. I wouldn’t have had it any other way!”


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New Releases by Classic Artists

new releases by classic rock

Cher has just released yet another album.

No, the plastic surgery hasn’t hurt her singing voice.

Still, the constant beat that accompanies her voice, one that we hear on 90% of the Pop tunes put out by idiotic record producers of today, tends to be annoying after a couple of songs.  I wish it was only in a couple of songs.  No such luck!

Why would someone with such a great voice allow this to happen?

Could it be that she’s afraid of aging and losing her younger audience?  Is her fear so strong that she, the all powerful and definitely one that could tell today’s producers where to go, actually feels that she must reduce herself to the norm and cover up her vocals with techno pulse electronics?

There are a couple of songs in which she allows her voice to shine.  You can feel her sincerity, love, hopes and dreams in each of these selections.  It’s a shame.  An entire album comprised of these type of songs could be a benchmark for all to reach.  But, fear can be a factor in making the wrong decision.  It is unfortunate that she seems to allow it to rule her career.

Hit Single “Woman’s World”

But, she’s a millionaire and I’m not, so perhaps I’m the one that’s stupid!

Does selling out in order to make money really do her musical talent justice?

For some of us that have followed her career since her “Sonny & Cher” days, we know she’s more than one of today’s “throw away” Pop artists.  Her sound is unique as it calls to your heart in a song like “The Way Of Love”, and mischievous in “Gypsies, Tramps & Thieves.”  But, from way back then to today, something changed.  Something happened to her.  Something occurred in her life that demanded she aim towards the Pop audience only and produce tunes that wouldn’t stand the test of time, but only supply funds for the day.

I’m not saying her new album, “Closer To The Truth” doesn’t have substance.  It does, but in a frivolous manner.  It’s basically a Pop/Dance album that says little in message, but will do well for exercise class music or Pop dance halls.

There’s a difference in “keeping up with the times” and “being true to your music.”  You could do much better, oh talented goddess of the decades!  Please, before it’s too late and the years eat away at your precious vocal ability, give us all something worthy of the praise you deserve!

Something like Elton John’s new album, “The Diving Board.”

I am a fan of early Elton John.  There have been many hits along the way, but there have also been many misses.  I will admit to having every album he’s composed in my collection.  However, most of those released in the 80’s and 90’s are doing a good job of gathering dust.

I will make a statement here that many will probably shoot me for.  Not since “Goodbye Yellow Brick Road” has Elton had the complete quality in an album as his latest presents.

Strong statement, huh?  Believe me, it won’t be a popular one to the snot nosed music reviewers employed today.  You know, the ones that were raised on 90’s music and have never listened to anything previous to  that time period.

At first listen, the album will pull you into a world of mournful loss and storytelling beauty.  This, regardless of Pop opinion, is what Elton does best and what originally put him on the music map.  I won’t bore you with details, as I’ll let his music and words speak to your heart and soul when you listen to it for the first time.

Elton John  “Home Again”

But, if you’re looking for something to raise you out of this world with an electronic beat, you’ll be disappointed.  He doesn’t use such cheap thrills to get his point across and make a buck.  This, to me, is what Cher needs to see and take note of.  If it is to be Elton’s swan song album, he couldn’t have left a better example of quality of music.

I’ve bought so many albums in the last few months, my wife is going crazy wondering where I’m going to store them.  (Even those downloaded, I make a hard copy to keep in my collection in case of hard drive disaster.  It’s happened twice, so I learned by experience!)  Anyway, out of all of those I’ve purchased, this is the album of the year.  Oh, the Grammy’s won’t recognize it as such.  They only look at the throw away artists for the most part.  But, real music lovers will cherish this selection.

Needless to say, it holds my highest recommendation!

Not so the latest Sting release, “The Last Ship.”

This is where things get strange.  This album seems to be a follow-up to several of his past albums.  It brings about many references to past songs and characters in those songs.  It’s slow, told in a story manner, and I must say, somewhat boring to which to listen all the way through.

“The Last Ship” has it’s good points, especially if you’re trying to get some sleep and need some background music to finish the job.  Yes, boys and girls, can you say, “Boring?”

But, it’s not produced badly, and I guess, if you’re a real Sting fan, you’ll find it has some production value.  Sting’s vocals seem to have dropped and octave over the years, and may even be classified as unrecognizable at times.  But, let’s be real.  The guy is getting up in years and did put a lot of effort into this release.  Sorry, Sting!  I’ve really been a fan for years.  It just didn’t touch my sensitive spot.

Sting  “The Last Ship”

Finally, lets take a look at an artist that may not be too familiar to you.

Laura Mvula has recently released “Sing To The Moon” to the world.  (Thank God, a new artist that dares to be different!)

I can’t classify her music.  I’d love to say R&B, but it’s not.  Jazz?  Nope!  Easy Listening?  Not by any manner!  Pop?  Dream on!  Rock?  Not the furthest thing from the truth!   World Music?  Maybe this is the closest genre she enters.

There is no specific beat.  What?  Listen to it and you’ll see what I mean.  The songs break up into multiple beats, runs, and storylines.  It’s almost like a Broadway music score at times, taking you on a journey into the weird but beautiful land of “keep up with me and you’ll enjoy it!”

This may not be an album for those who love today’s standard trash that’s being aired.  Even I can’t say as though this would be an album that I’d play everyday.  But, I will say that I completely enjoyed it.  “Sing to the Moon” is refreshing in our world of formula sound.  Different?  You bet!  Fun?  You bet!  Storytelling?  Oh My God, YES!  (Just listen to the song “Green Garden” or “Is There Anybody Out There” and enjoy the vision!)

Laura Mvula  “Sing To The Moon”

Laura is a true artist from the meaning of the word.  They still exist (believe it or not) and can hold true to their music.  Not a sell out, at least for now.  Let’s hope she never does!

Remember, music is for the listener.  You may not agree with the above reviews.  That’s okay!  I may not agree with everything you like or dislike either.  The fact remains that there’s a lot of good music available for you to sample.  Don’t hold back.  Experiment with different styles and genres to increase your perspective and collection.  You may be surprised at what you’ll discover.

Ciao!

 

About The Author

Having grown up during the 50′s & 60′s, Rich was a personal witness to the confusion of the times. His love of music drew him into the conflicts of the day as he protested many of the atrocities in civil rights and an overseas war. Ironically, military service, during the final days of the Vietnam Conflict, ended a music career in a successful band. However, his love of music held true as he later chose a career as a radio announcer over law school. Here, along with being able to play the music he cherished, he interviewed many top music acts. This allowed him to gain much knowledge of the recording industry and the psyche of music artists in rock, jazz and R&B. Later, his love of performing transformed him into a career in stand-up comedy. Twenty years later, his love for music continues. Quote: “Being born in 1954, Rock ‘N Roll and I have grown up together. I wouldn’t have had it any other way!”


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You Thought They Said What? The Sadder But Wiser Girl Spills It.

you thought they said what dots

My good friend Sarah, from The Sadder But Wiser Girl was kind enough to humiliate herself for our pleasure. I asked her to share they lyrics of a song she has sung wrong all of these years, and she happily obliged. The song?

Jet Airliner by The Steve Miller Band

 steve miller band jet airliner
J: So Sarah, do tell, what was it you thought they were singing? 
S: Well Jen, I thought they were singing “Big old Jeb had a lighthouse…”
J: What did you think those lyrics meant or did you just go with it?
S: I just went with it. Maybe big old Jeb did have a lighthouse.
J: Do you know the actual lyrics? 
S: Big old jet airliner, don’t carry me too far away…
J: When did you realize that you’d had it wrong all along?
S: I think when I saw the song on Twisted Mixtape Tuesday. Yeah, I’m slow like that.
J: Uhm, Sarah, that was just a few months ago.
J: Did you ever sing the wrong lyrics in public, you know, in front of someone? 
S: Probably.
J: What happens when you hear the song now? 
S: I just start giggling and can’t stop.
J: Sarah, thanks for baring your innermost soul and sharing this embarrassing moment with us.
S: My pleasure. Now please ask your readers to go visit my blog.
J: Will do.
Sarah Almond “The Sadder But Wiser Girl” is a mom of two children and is married to an evil genius. Suffering from ADD, Anxiety, and a phobia of washing dishes by hand, she blogs to save the world from boringness. Though she is college educated, she would gladly trade her degree in for something useful, like a cheese sandwich. Find her at The Sadder But Wiser Girl
*I’d like to thank Linda of Elleroy Was Here for coming up with this fun idea. Feel free to share yours in the comments!


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FirstNotes and ForeverMusic

lizzi guest post ROTR

I was raised in a pretty shut-down household, where the music available was a strict diet of Classic FM (which I now love), Classical CDs (I love some of them), ‘Churchy’ music (still not that keen), and Gilbert and Sullivan (hate it with a passion).

There was one exception (other than the stalwart ‘sung Times Tables’ tapes) – one copy of a hearkening back to my Dad’s childhood; a ‘Hello Children Everywhere’ CD. I listened to it obsessively, whenever I was allowed to use the (gigantic old monster of a) stereo system, in brushed steel, with heavy dials and buttons which swirled deliciously in my hands and would land me in trouble, because somehow the volume always seemed to end up louder.

danny-kaye

So thanks to the lifeline of this one CD, I caught a tiny break and spent my childhood having my mind blown by such wonders as Suzi Miller’s ‘Bimbo’, Burl Ives’ ‘Big Rock Candy Mountain’ and Danny Kaye’s ‘Little White Duck’.

My musical world exploded into life when I went to secondary school.

I’d chosen a school in a town outside the city, which meant being bussed in with a bunch of other local kids. We were herded onto a scabby old, white mini-bus, with a snarkastic driver who tended to be either overly friendly or overly mean, but the journeys had one HUGE redeeming feature, which quite made them a favourite part of my day. The radio.

Tuned for the first time in my LIFE to something beyond the realms of the classical, 103.2 Power FM gave me my first taste of what I’d been missing, and just what depths of wonder there were to explore. Chaka Demus and Pliers ‘Twist and Shout’, D:Ream ‘Things can only get better’, UB40 ‘(I can’t help) Falling In Love With You’, not to mention Rednex, who I can probably hold fully responsible for my ongoing love of countryish music, since then broadened to include such gorgeousness as Bill Monroe, Rascal Flatts and Blake Shelton

I remember with absolute delight my very first tape.

It was given to me for my birthday by neighbours over the road. It was Robson & Jerome’s version of Unchained Melody, with B sides of ‘I believe’ and ‘Saturday Night at the Movies’ (so deeply ingrained in my mind that I didn’t even look it up to check the B sides – I’m probably right, and if not, well it was 18 years ago…). I can’t remember how, but I got a tape player, and discovered, to my delight and awe, that I too, could get Power FM tuned in, directly into my bedroom and began listening at home, ignoring repeated shouts to “Turn that horrible noise down!” as often as I could.

I then discovered (oh sweet day) that a store nearby actually SOLD the music I’d heard on the radio (yes, I was *that* sheltered). My pocket-money immediately became a hugely important deal, and I even began forgoing my weekly Beano comic to buy tapes and tapes…and then I discovered CDs, back when a single was still 99p. To my shame, I can’t remember my first single. Or my first album.

Buying blank tapes and sitting hunched over the radio waiting for my favourite songs to come on, with my finger hovering, poised, over ‘Play’ and ‘Record’ was a massive pastime for me. The irritating DJ or radio jingle forever intertwined with the intro and outro, the missing first three seconds when my attention span had waned.

I developed some serious musical crushes, my ears, mind and soul being touched in ways I’d never felt before – thoughts and emotions expressed in ways I’d never considered possible. I became a cray-cray fan of such acts as Robbie Williams, Alisha’s Attic and All Saints.

And gradually the radio became my companion.

I branched out, finding new stations which weren’t all pop. I discovered rock, house, trance, dance, disco, and later on, music from generations slightly before my own, which is where I feel my musical soul now lives, courtesy of my new-found favourite radio station – 106 Jack FM. They play music from about early in my own musical introduction back to a generation or so before my time, mixed with a few newer tracks for good measure – Aerosmith, Queens of the Stone Age, Dave Edmunds, Faith No More, Queen, Reef, ELO, T-Rex, Tommy James and the Shondells …. But even though it’s my favourite, I can’t stay faithful – my car (which is my ‘Radio Place’) has an old-fashioned stereo/tape player, with a different station (yes, including Classic FM – shh!) programmed into each of its five buttons.

(Small Victory – takes a while to get going; if you want to skip straight to the Good Stuff, head to 2:22 for a guitar riff which just *does things* to me)

In spite of that, my musical ‘old soul’ still has to resort to the not-the-radio resource of YouTube to supply such gorgeousness as The Andrews Sisters, The Beach Boys, Elvis, Flanders and Swann; usually with one or two tracks hitting my ‘favourites’ list on YouTube, as opposed to loving everything the band produced, as in the heyday of First Discovering Music.

But it’s not the same. YouTube is cold and clinical, and sometimes highly irritating (although everything’s ‘on tap’). The DJs on Jack FM have become my pals – I know the ins and outs of their public personas. I follow their news. I even follow the station on Twitter and Facebook. I recognize their voices. I dance in my car to their music choices, and I love it.

The world of music has become an outlet – I can use music to describe how I feel far better than I can use words. Music speaks to the soul rather than the intellect, and since my very first introduction, I knew that radio and I would get along, though it’s definitely moved up in status over the years from ‘companion’ to ‘Forever Friend’. Thank you Radio, for giving me so much.

About the Author:

Lizzi Rogers is a non-professional blogger over at Considerings. Her aim is to Think Deeply, Tell Truths and Actively Seek the Good in life. Creator of the weekend-long ‘Ten Things of Thankful’ hop, she blogs about her thoughts, her world and being a member of The Invisible Moms Club. She finds that when she runs out of words, music can be used to speak for her, and if she had to lose four of her five senses, would keep her hearing, for the idea of a world without music would be far too desolate to contemplate.”

You can follow her on Twitter: @LRConsiderer and on Facebook


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]The Stones at JFK Stadium, 1978

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photo: Mike Brody

The following is an excerpt of the original review:

Peter Tosh was better than the treatment the crowd was giving him. I had never heard reggae live and Tosh was the real ting.  The Philly crowd was not as interested. Tosh left the stage to a roar of STONES! In the lull between set ups I went looking for a place to do a little crank. I had lost my friends and was now on my own adventure.  I found myself walking in between the trucks parked on the side of the stage. These were Rolling Stones trucks, decals of the red lips logo, ‘Reefer Rollers’ bumper stickers, and the whole nuts and bolts of the rock and roll circus.  A rough looking driver was staring me down, I asked him if he could use a little pick me up and he said “Step right up in the cab my young friend!” After a couple blasts the driver introduced himself.

“I’m Fred but my friends call me Ferd!” He talked about some of the wild orgies he’d been too and then he said the Stones would be out in a couple minutes, he took a couple twenty bags and I said thanks and he said “No, thank you!” Ferd gave me a personal escorted walk to a  roped off area full of amazing looking happy people.

I was standing directly in front of the stage when the band came walking on and picked up their instruments.  Even at 17 I usually didn’t like music that a lot of people liked, but the Rolling Stones represented the beginning of English blues rock and I liked them in spite of their style changes and fame. Their last great album had been Exile on Main Street. I knew what depths they were capable of.

The first song was Chuck Berry’s Let it Rock, a chunky mid tempo stomp which segued into Exile’s All Down the Line.

Whatever style this was just sounded great for the frequency I was on. There was nuance in the music that was very much theirs. Simple tricks, a thick bar chord suddenly finger picked into a vulnerable blues chord and then the slide guitar connecting them back together. Not a bad tone on the stage either. The Stones sounded like musical dirt, brown, wet dirt. While the over all demeanor was hard and dangerous there was an odd sense of humor about the whole mess. At some point early on they played a very pained Love In Vain. This was guitar laden emotional blues and it sounded right out of the legendary 1969 tour.

I knew this world was fleeting. Even at that moment in my life at that concert I knew it would somehow go bad and curdle or even worse, become a gentrified thing of some kind. I remember fighting back tears for a special time in peril. This is what the music was saying at that moment, all your loves in vain. Who would even care about this song in a few years? In to this mix came the new stuff which fit in pretty well with the old stuff, “when the whip comes down, da da”, this song recalled the old mid 60’s chainsaw sound captured on ‘Got Live if you Want It’. ‘Beast of burden’ came on like an old soul song but just a little sonically darker. Old greats followed, reworked slightly and played with an urge and feeling that bordered on the edge of control. Joints were passing freely through the crowd and the whole concert started to feel like a party when people are starting to get too wild and intoxicated.

After the light and bouncy soul classic ‘Just my Imagination’ a very new song started. A phase shifted two chord rock riff with a tense rhythm. “Shattered – shattered”. The stones weren’t as much playing now as burning the song. This smelled like the new music. I took a look around and the 1970s Philly crowd was perfectly morphing to this rhythm. This was a hard edge song for some hard edge people. “To live in this town, you must be tough, tough, tough, tough, tough, tough, tough…” The Stones were grinding out punk, but as innovators. Stripped down and animalistic, but of course with this waning generations hippy blues sensibility which would be, in a couple years, on the run. Shadobee.

Chants of “More” were my cue to start trying to navigate back to the street and find the van. I was completely satisfied and ready to be out of this hot throng of humanity. While I was heading for the exits I noticed that the band had not come back on and then I was startled by a sudden barrage of explosions.

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the author, back in the day

photo courtesy of Mike Brody

Turning around revealed a riot going on. The stage was being blown up by M-80s and wasted wild men tearing down drums and amps and equipment. Security must have been taken by surprise because the three or four guards swinging mic stands and two by fours were not stopping the mayhem. I didn’t stick around to see the ensuing battle but I felt like those people could not have truly been disappointed by this music. I asked some one why everyone was pissed and he said he felt ripped off by the lack of an encore and no stage show. I can understand the encore issue being an insult to someone who had made this their whole weekend, but why would he need a stage show? Isn’t a guided tour through the history of heartfelt blues and traditional rock and roll music enough to handle without some blowup penises to go along with it?

Mike Brody is a musician, songwriter, video and recording producer, and writer. He lives in New Jersey. His band Brody’s Monster will be at the Light Of Day Festival at The Saint in Asbury Park Sunday January 19th at 8:00 pm. He is currently working on a book with the working title “Real Strange Things That Really Happened To Me”