Raised on the Radio

Because growing up on 70s television didn't kill me. It just made me who I am today.


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Twisted Mix Tape – Forbidden Love

Twisted Mix-Tape? WHAT??!!! This is what. Me and music, we go hand in hand. I carry earbuds with me everywhere I go. I’m not anti-social (I’m only anti-work), I’m just anti-silence.

Well that’s a bold-faced lie, but when my choices are listening to the drivel playing at grocery, or a bunch of people yapping at Starbuckos, I choose music.

As I mentioned last week, (yes there was a last week and you can read about it here); I think in music. In my current position of soundtrack maker Music Director for Raised on the Radio, I finally get to live my dream. I can share my music musings with the world my readers.

Did you know? Albert Einstein and I, we are simpatico.

“If I were not a physicist, I would probably be a musician. I often think in music. I live my daydreams in music. I see my life in terms of music.”
― Albert Einstein

And so, by the power invested in me by me, behold the Music Director of Break the Parenting Mold and Twisted Mix-Tape! Share your musical musings with me!

I invite you all to join in. Each week we (as in you and I, because I know you will feel an undeniable need to join us) will be creating a mix based on a different topic emotion.

My plan is to keep the list to 5 songs; as hard as that may be, just incase you’re a music geek like me, and want to prepare. I would love for you to share your choices in the comments, surprise me, enlighten me, shock me!

Next week’s topic will be Unlikely Lullabies (as in songs not meant to be lullabies, but can do the trick). However if the topic doesn’t move you, create your own! Link up in the comments, and I will happily place your link in the post! Join the party!

Forbidden Love

She’s a Beauty – The Best of The Tubes

Stacy’s Mom – Welcome Interstate Managers

 

Don’t Stand So Close to Me / Young Girl (Glee Cast Version) – Glee: The Music, The Complete Season One

Come a Little Bit Closer – The Best of Jay & The Americans

Love Story – Fearless

hard days hard nights review


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Ever wish you were a concert promoter?

I know I wish it EVERY. DAY.

I usually write about music here, and everything else over at my other site. But today I wrote a book review for an amazing story over on JenKehl.com you HAVE to read it!

He even has an insider view on Sly and the Family Stone, I wish I read his perspective before I wrote my review on the boxed set.

The story of Pat DiCesare, Pittsburgh legend, and their first concert promoter. You don’t want to miss this story!

Hard Days, Hard Nights: Stories From Pittsburgh’s First Concert Promoter

hard days hard nights review


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Baby Boomers Music

babyboomer

Baby Boomers are egotistical asses, especially when it comes to music!

 

I should know.  I’m a Baby Boomer.

 

You have to remember, most Baby Boomers have followed music from its early days.  Say, a Baby Boomer, born in 1954, will remember songs from the Everly Brothers, Elvis Presley, The Big Bopper, and Buddy Holly, to name just a few.  This was the foundation of Rock & Roll.  This is also our foundation from which we build.

 

We’ve been through the challenges of life throughout history. First, just listening to Rock in the early years put us in dangerous territory with the church. Supposedly, music that made you shake your hips and jump around was “Devil Music”. Yeah, you should have been there convincing your parents it wasn’t.

 

Jerry Lee Lewis (Whole Lotta Shakin’)

 

The Beatles also made it easy for us. Why? Because immediately, guys wanted to start wearing their hair long. The Hell with the “Burr” and “Flat-Top” haircuts, we wanted it to grow and grow long. You should have been there telling that to your high school basketball coach. Talk about setting yourself up for running gut drills after regular practice for the rest of the week. Why? Because we were going against the norm of the day. We were showing the adults that we didn’t have to follow the same rules they had. Times were changing and we were, too. Long hair showed what side we were on.

 

The Cowsills (Hair)

 

We were also there for the Civil Rights movement. We fought for all to be treated the same and have the same opportunities regardless of race or sex. Talk about putting yourself in the firing line! When I talk about protesting and marching in the late 60’s in Indiana, people say, “Well, that wasn’t much. The South was where the violence was at.” Then I kindly remind them that the national headquarters of the KKK was in Indiana. Yeah, the Midwest had its share of screwed up attitudes, too. It just wasn’t picked up by the news agencies as much.

 

Temptations (Ball of Confusion)

 

The Vietnam War hit everyone. However, it was the first war where the average age of a combat soldier was only 19 years old. Kids were being sent to kill an enemy under the guise of Communism needs to be stopped. It didn’t take long for us to see that it wasn’t communism as our primary enemy, but the politicians that were using the war to create a profitable economy for their constituents that owned war machine factories. Protest after protest, kids leaving the United States and living abroad, and the rich filling the pockets of Congressmen to keep their kids from going to an early death were facts of life for the youth of the day.

 

Country Joe & The Fish (I Think I’m Fixin To Die Rag)

 

As we expanded our attitudes, we sought means to expand our minds. Marijuana, although scorned for years by the white population as a drug that destroys all will to succeed, became a drug of choice, and one that got many a person years in jail. LSD (acid, Mr. Love Saves, etc.) joined the field as a leader in allowing one to see beyond. Different strengths and compounds had varying effects on those who indulged. Most of the time, we simply enjoyed the trip. Of course, various pharmaceuticals also become common as downers and speed helped us through the madness, or maybe, even added to the madness.

 

Jefferson Airplane (White Rabbit)

 

Finally, ignoring our parents uptight feelings about sex, we made it happen. Free Sex meant that if you found someone you cared about, and they found you cool, too, there was no reason why you had to be married to get together and experience the beauty. Our parents knew this, but hid it because of the morality of the times. Oh, they had “affairs”, but they didn’t want everyone to know. Sex was a “dirty” topic that parents often only brought up too late. You learned about it from your friend’s fathers Playboy collection when they weren’t home. We wanted love, and sex was a part of that.

 

Mercy (Love Can Make You Happy)

 

Yeah, we were fighters. No matter what we wanted, it seemed society was against it in one way or another. But, we didn’t give up. We fought each battle and moved forward. Music was our partner. Regardless of the battle, it seemed as though there was a song that fit the time. We were unified, pacified, and verified by the music we listened to and believed in.

 

And now, we’re just like our parents were.

 

But, we’re still assholes with attitude!

Steppenwolf (Born To Be Wild)

 

About the Author:

Having grown up during the 50′s & 60′s, Rich was a personal witness to the confusion of the times. His love of music drew him into the conflicts of the day as he protested many of the atrocities in civil rights and an overseas war. Ironically, military service, during the final days of the Vietnam Conflict, ended a music career in a successful band. However, his love of music held true as he later chose a career as a radio announcer over law school. Here, along with being able to play the music he cherished, he interviewed many top music acts. This allowed him to gain much knowledge of the recording industry and the psyche of music artists in rock, jazz and R&B. Later, his love of performing transformed him into a career in stand-up comedy. Twenty years later, his love for music continues. Quote: “Being born in 1954, Rock ‘N Roll and I have grown up together. I wouldn’t have had it any other way!”

Keep up with him at That’s Life…Sometimes!


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Gordon Lightfoot

 

I’ve been listening to Gordon Lightfoot for 44 of my 44 years. It’s a gimme, isn’t it? If you were alive in the 70’s, you listened to Gordo.

That doesn’t mean I knew the ins and outs of the man. Actually…..I heard from a reliable source that his life took some serious wrong turns, and there may have been some unfortunate drinking involved. It was the 70’s, why am I surprised?

For most of us, it’s easy to brush Gordon Lightfoot off as some musician with a ton of songs on the Easy Listening radio station. Oh wait, I like that station. Okay, some guy who makes the easy listening station easier to listen to.

How many times have you heard Sundown, or If You Could Read My Mind on Lite FM?  I admit to being stuck in the land of 70’s pop music. Heck, I’m a child of 70’s radio, and frankly, feel lucky to have been so.

I often credit Gordon Lightfoot with my inspiration to be a writer.

Just like a paperback novel. The kind that drugstores sell.
-If You Could Read My Mind

But if you leave your knowledge of Gordon Lightfoot there. You would be missing so much. I was missing it too. It took my 8yo’s obsession with The Wreck of the Edmund Fitzgerald and then later The Canadian Railway Trilogy, for me to see it.

I Bet You Didn’t Know

If imitation is the sincerest form of flattery then Gordon Lightfoot has a lot to be flattered about. In 1964 he wrote “The Early Morning Rain”, and because he was a nobody, he wasn’t even the first to record it. A couple of friends who “discovered” him offered to record his song on their album. It was a good move. For both of them.

He did record the song in 1966… and after that 74 other bands and artists recorded it too. Not the least of which were Bob Dylan, Harry Belafonte, Judy Collins, The Grateful Dead, George Hamilton IV (who took it to #9 on the country charts), Elvis Presley, Jerry Lee Lewis and Peter Paul and Mary (the most well-known pop version).

At 13-years-old Gordon Lightfoot was already making a name for himself, he loved to sing and his parents encouraged him to do so. Between the ages of 13-17 he won multiple awards for singing. That recognition helped him find his path so he attended West Lake College of Music in Los Angeles. This decision would prove to be invaluable to him.

The 60’s started a fire in Gordon, by 1964 he had already written 75 songs. However, he felt none of them really had a “sound” he could call his own. And then – he met Bob Dylan. Through Dylan, and many friends that came along with that sound, he found his sound and that sound would take him all over the world.

Bob Dylan had something to say about Gordon Lightfoot as well. In an article written when Dylan inducted Gordon Lightfoot into the Canadian hall of fame he said, “He (Lightfoot) became a mentor (of Dylan’s) for a long time. I think he probably still is to this day.” Obviously the feeling was mutual. And from an article in The Huffington Post:

BF: Who are some of your favorite songwriters?

BD: Buffett I guess. Lightfoot. Warren Zevon. Randy. John Prine. Guy Clark. Those kinds of writers.

BF: You and Lightfoot go way back.

BD: Oh yeah. Gordo’s been around as long as me.

BF: What are your favorite songs of his?

BD: “Shadows,” “Sundown,” “If You Could Read My Mind.” I can’t think of any I don’t like.

Bob Dylan often covered the song “Shadows” when playing live.

As I sat down to write this, I began listening to some Gordon Lightfoot songs I have very little memory of hearing, it could be I never heard them. I was inspired to track them down when I happened upon a list of all of his songs that have been covered by other artists. This one piqued my interest – after all it was covered by Eric Clapton. I found Clapton’s version of it on YouTube, and frankly, I wasn’t impressed. But that irked me, there had to be a reason that Eric Clapton would want to play that song. Right? There was. The problem is, you cannot improve upon perfection.

The 1970’s would be when Gordon Lightfoot would truly see fame. Finally being recognized by listeners outside of the folk music scene, yet continuing to create using his own unique sound, his songs began to top the charts. Being a child of the 70’s, it was only natural that my experience with Gordon Lightfoot would be: If You Could Read My Mind, Sundown and of course The Wreck of the Edmund Fitzgerald. But being a lover of music, that is never enough. When a songwriter sings and plays with so much raw emotion I naturally want to know, what more?

Exploring Gordon Lightfoot was something I did many years ago, to connect with my father, who was very influenced by folk music. And now again I am finding it as a way to connect with my son, to expand his knowledge of music, as I capitalize on his fascination with The Wreck of The Edmund Fitzgerald*. Every minute is a learning moment with music. With Gordon, it could be a lifetime.

I will not leave you without Sundown:

Some trivia:

Aside from his success in writing, singing and performing his own songs, Lightfoot has found fortune in having his songs recorded and performed by other great artists including:  Bob Dylan, Elvis Presley, Johnny Cash, Hank Williams, Jr., Marty Robbins, Jerry Lee Lewis, Judy Collins, Johnny Mathis, Anne Murray, Olivia Newton-John, Sarah McLachlan, Barbra Streisand, Peter Paul & Mary, Harry Belafonte, Jane’s Addiction, Richie Havens, Glen Campbell, Toby Keith, George Hamilton IV and Eric Clapton.

In June of 2012 Lightfoot’s legacy was further enhanced when he was inducted into the Songwriters Hall Of Fame.  Lightfoot was honored for his role in defining the folk-pop sound of the 1960s and ’70s.  There are fewer than 400 inductees who make up the impressive roster enshrined in the Songwriters Hall of Fame including Barry Mann, Jerry Leiber and Mike Stoller, Hal David and Burt Bacharach, John Fogerty, Bob Dylan, Isaac Hayes, Carole King, Paul Simon, Billy Joel, Sir Elton John, Bernie Taupin, Brian Wilson, James Taylor, James Brown, Bruce Springsteen, Jim Croce, Phil Collins, Loretta Lynn, Jimmy Webb, Van Morrison, Kris Kristofferson, Dolly Parton, Diane Warren, Garth Brooks, Leon Russell and Leonard Cohen.

* Shameless plug alert. This is a YouTube video of my son singing every single word of The Wreck of the Edmund Fitzgerald 3 years ago. He still sings that song almost everyday.

Gordon Lightfoot Graphic.png


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Blood Sweat and Tears

How will you be remembered? Will you be the guy who fought for a cause? Or will you be a guy who had an amazing idea for a band, a band that would turn into a pop sensation?!

What if you don’t want your band to be a pop sensation? You dig your heals in the sand. Will it become one anyway?

It’s happened before, it will happen again, just ask the founding members of Blood, Sweat & Tears.

Blood, Sweat & Tears began as a jazz-fusion-rock band that incorporated horns with a rock n’ roll sound. They were it. New York loved them. But as important as the sound was, they put a lot of effort into the message they were sending. War was bad, the man was bad, they were making a statement. They made that statement so well and their music was so new and exciting that they were one of many amazing musicians picked to headline at Woodstock. Blood Sweat & Tears were part of a movement of musicians that would inspire a generation to Fight the Man! For a little while.

However, only one year in, the band had split with its “leader” Al Kooper. Al was the backbone of their “underground” connection – which in retrospect would turn out to be so much more than an underground. It was his finger on the pulse of the counter-culture. Without him, the beat lived on, but the fever of the cause was gone. So although their appearance at Woodstock was already without Kooper, their ties with the counter-culture phenomena that drove their fans, were now tenuous.

This reformation of sorts began what would be the band’s own spinning wheel. Arguments about the path their band should take, questionable personal choices and the desire to try new things would be the start of more personnel changes than I could list. Arguably the most important, was the selection of a new Lead Singer, David Clayton-Thomas. Bobby Colomby and Steve Katz, two of the original members, found Clayton-Thomas thanks to their good friend Judy Collins who had heard him sing in a small bar in New York. Lucky for them she did, because Clayton-Thomas would become the “voice” of Blood, Sweat & Tears to those of us being raised on the radio of the 70’s.

In late 1968, with David Clayton-Thomas as the frontman, they released their second album. The self-titled Earth, Wind & Fire would go multi-platinum with a performance very different from their first album, but the people loved it. The album won the Grammy for Album of the Year, beating out The Beatles Abbey Road.

 

blood sweat & tears second album

This album included the songs that I, and many, remember as part of the Soundtrack of our personal Seventies. Spinning Wheel, You’ve Made Me So Very Happy, And When I Die, Hi-De-Ho, and Lucretia MacEvil (which was the worst chart performer of that album, never breaking #29. No other BS&T would ever do better.)

As 1969 became part of the past, BS&T apparently made a critical error in judgement; in exchange for an expedited visa for Clayton-Thomas, who was a Canadian citizen, they agreed to play as part of a U.S. State Department sponsored tour of Eastern Europe in May/June 1970. At this volatile time in our history any voluntary association with the government was highly unpopular and the band definitely felt the repercussions of that decision. Obviously they could not disclose the reason they agreed to play.

I would say this was the beginning of the end for them, because after that tour they did not have another highly successful album or single. But as anyone who has grown up in the 70’s and 80’s knows, Blood Sweat & Tears is part of our favorite music memories and our most listened to mixes. Bobby Colomby knew that the same music that won multiple Grammy’s became part of our culture. Not the counter-culture they had thought, but a much bigger culture of the infectious music that would tie us together. Bobby somewhat prophetically understood that BS&T’s fans would not let their music die, it was just too good. And so, he basically created a Blood, Sweat & Tears franchise. Much like the bands of Duke Ellington and Glen Miller, long after those amazing men were gone, their names lived on through Big Bands playing their hits, their styles as The Glen Miller Band and The Duke Ellington Band. He said on the official Blood Sweat and Tears website “The obligation of a band is to be entertaining, and be mindful that the audience is there to hear your hits. And for many years, the Blood, Sweat & Tears brand has provided enjoyable evenings. We were trying to make sure that people walked out of our concerts feeling they’d just heard a great show. And the feedback we’ve gotten confirmed that’s been the case.”

A little part of me wants to shiver when I hear a band being referred to as a Brand or a Franchise, another part of me says, bring it on, I’ll buy the tickets! A chance to hear a band composed of some of the best musicians in the business, play some of my favorite songs? Bobby Colmby was prophetic alright.

WHAT (1)

 

 


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I Love Chicago, I’m Old, and The Best Night of Funky R&B Ever.

Age does funny things to you.

The one I think we are least likely to understand when we are young is the resistance to change.

Of course I know this to be true because I am a child of sitcoms. And each sitcom has at least one episode about the adults not “getting it.” Whatever “it” may be.

So while I am not happy that the world is moving so fast, and technology has caused us to lose an important part of our humanness by making communication impersonal and brisk. I am also increasingly disturbed by the lack of creativity found in popular movies and film.

While the former is a perfect illustration of my statement. The latter, I actually think, is a statement of truth.

So in my desire to not subject myself to constant disappointment, I spend much of my time listening to hand-picked music from generations past.

Which brings me to my point.

I love Chicago.

No, I don’t have ADD.

Two weeks ago we went out for my Brother-in-law’s birthday. He loves the city.

I loved the city in my 20’s. Now I’m old.

But for him, I would happily go into the city. Also, his new-found fame as Chicago’s premier roof-top designer has opened doors to some of the hottest restaurants – the kind with month-long waiting lists. Who was I to say no to a dinner with all the shi-shis?

Dinner was……interesting. The menu may have been written in Latin. The food? Let’s just say it was a little to “creative” for me.

But the atmosphere? Well…that was something else. This place is the see and be seen spot of Chicago, and let me tell you – the people watching was spectacular.

But frankly, when dinner was done, I figured we were going home because, did I mention I was old?

But my brother-in-law had other ideas.

“You know we are right around the corner from The Back Room.” He looked right at me.

He knew back in the day, hanging out at a jazz club was just my thing. He was goading me.

But we were old, and we had finished our shi-shi dinner at 8pm and The Back Room didn’t open until 9.

I shook my head and said, “The babysitter wasn’t expecting us to be out too late.”

Of course my brother-in-law scoffed, I knew I was being lame – I had no choice but to cave.

I got on my phone and saw that Avain Hightower and Full Circle were playing. Well Avain Hightower was the original keyboardist for The Chi-lites and had played with everyone in my R&B Hall of Fame. My excitement was piqued.

We were the first ones there. Because we’re old.

But that was perfect because we didn’t have reservations, which meant first come first serve. And we were first come, so we got awesome seats.

The Back Room is considered a Showcase Lounge, it is small. Really small. There isn’t a bad seat in the house because the house capacity is 150 if it’s 200. The waitresses were friendly, the crowd was happy, and the show started on time. 3 for 3.

Was I in for the time of my middle-aged life! Avain Hightower is just as much the high-energy showman as he was over 25 years ago. The band was HOT. They jumped right in and didn’t stop for over an hour.

I don’t know about you, but when I’m watching good live music I can’t stop smiling. They played everything from P-Funk to Michael Jackson to Pharell and back again. And they did every single song justice. I could not stop moving and I gotta tell you that by the time the first set was over my face hurt, my voice was going, and I was ready for more.

avain hightower.jpg

When they took a break we had the chance to hang with the drummer for a short few. My brother-in-law had bought him a drink at the bar, and he wanted to come over and meet us. I have never met a happier, more humble drummer. I have often used the term “drummer’s complex” you know, being in the back all the time doesn’t always work for a star. Nope, not this guy. He was as genuine as they come, couldn’t believe we thought he was great.

Our original plan was to leave after the first set, but we couldn’t. Babysitter be damned.

I did my best to keep track of the set-list so I could recreate it in the form of a playlist on my iTunes. I will share it with you, so you can enjoy the eclectic mix of music that made up this unexpectedly electrifying evening.

Let’s Groove

Brick House

Don’t Stop Til You Get Enough

Flash Light

Happy

Spanish Harlem

Got to Give it Up

Groove Me

Proud Mary

Blurred Lines

Calypso Frelimo

 

And believe it or not, it was 100 times better than even that.

Go to this link to see a live clip of them from the local TV station the day before I saw them.

 

nico osteria.jpg

 

 


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It’s been a while since I’ve been here, so I thought I might remind myself what Raised on the Radio is to me.

Hello Friends,

Many moons ago I had an idea. This idea was based on the fact, the assumption, that there were more people like me – as far as music tastes go – than the growth of mediocre pop music would suggest. My idea was to create a space that celebrated the music of my past, our past. 

For me, the music of my past was the music of the late 60’s through the mid-80’s. Admittedly much of what was good in music began to die in the early 80’s, some might argue the late 70’s, but we can debate that later. The music of my past also includes pop music, because pop music of the 60’s and 70’s was good. Music was good. Work went into it, blood, sweat, talent and knowledge went into making original music. You had to work much harder to be a star. Sure you can look backwards and find a decent amount of cheese. But let’s be frank, back then it was innovative.

What I have realized in all of these moons, but not been able to formulate into a coherent sentence, is that Raised on the Radio isn’t only about music. It’s about a time. A monumental time. An iconic time. Those decades of innocence and decadence. Yes – delicately intertwined memories of Brady Bunch and Hugh Heffner, Romper Room and Suzanne Somers, The Sound of Music and A Clockwork Orange.

It wasn’t either…or, each was a part of our collective unconscious. Pigtails did not discriminate, you could be a 6-year-old school-girl or a 19-year-old sex kitten. It was all good, and there was no shame.

I admit it. I yearn for those years. For the nights we spent running through the street playing kick the can; while some kids battery-powered transistor radio sat skewed in the grass on the curb blaring Dream Weaver or You Should Be Dancing on the one FM station that played good music.

I miss hanging out in friend’s basements, talking, laughing, plotting, listening to the radio and just waiting to hear your favorite song. Even being so bold as to phone in a dedication every once in a while and actually hearing your own!

Walking up town to the Record Store. Yes kiddies, if you’ve never been to an honest to goodness Record Store, that was the place to be. To see and be seen. Flipping through the rows and rows of albums, checking for the one Bay City Rollers album you didn’t have; checking any new customers out of the corner of your eye every time the opening door caused the bell to ring. Swooning over Peter Frampton posters and not giving a flip that he was an amazing guitar player too. (you guys know you did it)

That time will never be again. That peace, contentment that the world was only as big as we could see. There was a feeling of safety then, the world was digestible, reliable, you had the 5 o’clock news and the Newspaper to feed you information, and that felt right.

The overwhelming reach of media now only makes me long for those days more. To wish that our unfortunate chillins (that’s 70s slang for children) could experience it too.

Raised on the Radio started as a place to share our love of music from a time when your only choices were listening to the radio or heading to a Record Store to buy the album.But I realize now, it is so much more.

Raised on the Radio is about an era gone by, nostalgia, comfort, something that if you lived it – you long for – a place to remember it all. We knew what patience was. We waited through 5 mediocre songs on an album to get to our favorite, rather than picking up the needle and trying to drop it on just the right place. To us, fast forward was holding a button down on a cassette deck and taking an educated guess that when you lifted your finger you would be at the song you wanted, you were often wrong.

Station Wagons, The Mandrell Sisters, Hee-Haw, The Dean Martin Show, Carol Burnett, Johnny Carson, The 10,000 Pyramid (because 10,00 dollars was A LOT of money!), Password

We were the first generation to be completely raised on television, and it didn’t kill us.

Raised on the Radio is a site about me.* I am inextricably intertwined with the pop culture of the 70s. Like it or not, I would sooner watch Three’s Company or Hogan’s Heroes than Game of Thrones or Modern Family any day of the week. In fact I do.

Everything I think or do is subconsciously compared to The Dukes of Hazzard or Charlies Angels. What comes out is my own version of reverse homogenization.

Come take this ride to me. Welcome to the New, Improved, Raised on the Radio.

*I’m not selfish, Raised on the Radio is also for you. Maybe you want to share your story or stories, I welcome that. I get that your own turf might not be the right place for you to share your inner Paul Stanley or Donny Osmond.

New Raised on the Radio.jpg


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A Letter to Carole King Concerning Tapestry

Dear Carole,

In 1971 you released an album called “Tapestry”.  This is an album in which you either wrote all the songs either by yourself, or with a little help from your friends, with the exception of “You Make Me Feel Like A Natural Woman” and “Will You Love Me Tomorrow.”  I say this not to tell you something you already know, but to simply state facts since so many artists in today’s world have absolutely no idea how to write a decent song.  So sad, but so true!

I was in the midst of a great love with a young lady I imagined would be my mate the rest of my life when I heard the first single, “I Feel The Earth Move”.  Indeed, she did make the Earth move under my feet, and everything else for that matter.  I’d lost my mother when I was only thirteen, and she had become the sole female in my life.  We’d walk together, hand in hand, through all of life’s trials and tribulations regardless of the odds.  And, you were there with us.

(“I Feel The Earth Move”)

How fragile young love is.  It wasn’t long before your second single, “It’s Too Late” was telling our story.  I know, your were telling the story from your own experiences and from a female point of view, but believe me, your words never fit a situation better.  She’d grown tired of walking the halls at high school alone and had found another.  Yes, she’d returned my engagement ring, only to ask for it the following week.  That was when I found it wasn’t I that she’d desired, but the status of wearing a diamond to high school.  I should have known better.

(“It’s Too Late”)

After her, I found another.  Yet, Vietnam was on the horizon reminding me how unsure the future could be.  I was having fun with my new partner, doing things that I’d never imagined doing, as she was an entirely different person than the first.  Much more daring and one to seek out the fun things life had to offer, I left the land of the narrow-minded and experienced my own “Smackwater Jack” person.  From concerts to going ice fishing (and accidentally toasting crickets along the way with the rear heater vent in the VW), she taught me that it wasn’t only material goods that brought a smile, but the small things that could be shared together in a very special moment.

(“Smackwater Jack”)

“Tapestry” continued to follow me in my life.  The military caught up with me and I couldn’t escape its  grasp.  After a trip home for leave, I’d started the eighteen hour drive back to the base in Virginia when “So Far Away” hit the radio.

Yes, we’d visited and shared not only some good times, but also our physical love for each other.  There were no promises made to be broken in the future.  We’d acted as how we’d expected adults to act.  It wasn’t the most loving goodbye, but it was sufficient, or so we’d thought.

(“So Far Away”)

Would you believe I turned the car around after listening to your song and drove an hour and a half back to do it all over again?  I did!  But this time, with love and affection.  I asked her to gather her things and go with me.  Of course, she didn’t as her college obligations and such kept her cemented to her surroundings.  But, at least your song made our goodbye one in which we knew we might have a chance to get back together in the future.

Your 8-track accompanied me in my journeys for many years, later becoming a cassette and then a cd.  Every song has a personal story that I could relate, but restrain myself for respect for your time.  I will say that “Home Again” was there when I returned to her and my home after the military, as well as “You’ve Got A Friend” every time I tried to cheer up someone over the years that needed a smile.

(“Home Again”)

I really don’t know if you knew how deep “Tapestry” would affect a person over the years when you released it.  I can only tell you that to this soon to be 60-year-old, it has created a musical bond between you and millions like me, whose lives have been much better places to be with “Tapestry” a part of them.

Now, you and I and millions of others are getting older by the second.  One by one, we tend to leave this Earth and head off into another existence … or, so we hope.  It’s been a long and interesting journey, and the next one promises nothing different.

I have to say “Thank You” for providing us with “Tapestry”.  It enlightened, nurtured, consoled, and entertained us for many a decade.

I’m just wondering, will “Home Again” be played as an encore when we reach our final destination?

With Love,

Rich

To Download Carole King Tapestry, click this link: Tapestry – Carole King

Having grown up during the 50′s & 60′s, Rich was a personal witness to the confusion of the times. His love of music drew him into the conflicts of the day as he protested many of the atrocities in civil rights and an overseas war. Ironically, military service, during the final days of the Vietnam Conflict, ended a music career in a successful band. However, his love of music held true as he later chose a career as a radio announcer over law school. Here, along with being able to play the music he cherished, he interviewed many top music acts. This allowed him to gain much knowledge of the recording industry and the psyche of music artists in rock, jazz and R&B. Later, his love of performing transformed him into a career in stand-up comedy. Twenty years later, his love for music continues. Quote: “Being born in 1954, Rock ‘N Roll and I have grown up together. I wouldn’t have had it any other way!”


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Thanks Dad, For Raising Me on The Radio

michelle liew.jpg

The site happens to have an apt title that resonates with me,because I was almost literally raised on the radio by parents who were, and still are, drawn to the music of the ’50s, ’60s and ’70s. The literal edge of being raised on the radio stems from the fact that Dad, Tony, is a lead guitarist in several bands and jams professionally at musical events and functions. I suppose piano lessons, including those in jazz and pop, also allow me to call myself a “radio baby.”

Being raised by a musician was quite akin to a ride on Disneyworld’s Space Mountain. I never quite knew what thrills or spills to expect.  I never knew where dad’s next gig would take us to or who we would end up meeting. It is the same today. One can describe being raised by him in any number of ways, but one thing it was certainly not-ordinary. Being his daughter meant encounters with a few of Singapore’s radio and musical personalities.

“Raised on the radio”, as far as I am concerned, equates with a little pressure. Dad used to, and always sets, high standards. It can be a challenge living up to his expectations, especially of musicianship. With that pressure came the opportunity to learn, grow and embrace the new, certainly different types of music.

Many thanks to Dad for raising me on the radio. I have put together a Raised By Dad’s Radio Mixtape of songs I was raised with! I hope you’ll enjoy this selection!

The Way You Look Tonight

Originally performed by the Fred Astaire cum Ginger Rogers pair and featured in the song Swing Time, The Way You Look Tonight won an Academy Award for Best Original Song in 1936. Written by Jerome Kern and Dorothy Fields, it has become a standard for swing.

The song certainly emotes, and has unsurprisingly spawned cover versions by Bing Crosby and the latest by Michael Buble. Let’s go a little retro and view the original, shall we?

Going Out of My Head/Cant Take My Eyes Off You

This hit medley for the Lettermen in 1968 showcases the soothing vocals of these fine singers with a little pomp.

With 16 Top Ten Singles including a number 1 on the Billboard Charts, the close-harmony group has scored 5 grammy nominations and 11 gold records. Eclectic harmonies ensure that their tunes cannot be done without.

Dindi

If one has discounted the medicinal of jazz, surely he has to listen to this. Written by Antonio Carlos Jobim for the Brazilian singer Sylvia Telles, nicknamed Dindi, who unfortunately met with a fatal motor accident in 1966.

Soothing and haunting, this is a good number to prompt a little romance or simply lull the senses into soothing sleep. I include a cover version of the song by none other than our favorite swing singer, Ol’ Blue Eyes.

Girl from Ipanema

Again by the musically illustrious Antonio Carlos Jobim, the sexy bossa nova charm of this piece makes it a to-die-for draw. The Portuguese lyrics by Vinicius De Morales give the song a mysterious, sensual edge that has not been lost till this day.

The version performed by Astrud Gilberto became a US hit in 1964, peaking at number 5 on the hot 100 and was at number one for two weeks on the Easy Listening chart.

I seem to have a little affinity with Frank, so include a version sung by him.

Just the way you are

When I interviewed my father viz his favorite song choices, I almost did a war whoop when he picked one of my eternal favorites, Just the Way You Are. What draws me to this Billy Joel number is its meaningful lyrics that stress unconditional acceptance in relationships with others.

From his 1977 album, The Stranger, the song was Joel’s first US Top 10, reaching number three on Billboard. It made a positive change for Joel’s career, giving it the long-lasting success that it has had.

Many thanks to dad for suggesting 5 great songs and to my friends at Raised on the Radio for allowing me to make a guest contribution this week! Do enjoy this playlist!

About the Author:

Michelle Liew is a literature cum ardent pet lover who simply loves music! Fiction and poetry make her tick! Read her wonderful blog Getting Literal


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Radio Disc Jockey: Long Hairs Need Apply

So, you think radio was always the way it is today?

rich schlitzLet’s see, today, many “announcers” go into the studio, record all of their vocal breaks, and leave for the day. Oh, they might make a public appearance here or there, and cut a commercial or two, but in reality, radio has gone downhill over the years. I’ll go into more detail why I believe so in a few minutes.

Most radio disc jockeys in the 1970’s started at small market radio stations. These were stations where you honed your vocal skills, perfected your timing, and learned how to operate a control board. There were even mixed format stations that tried their best to reach all different audiences at specific times of the day. These were the challenges that faced anyone that wanted to “get into radio” back in the day.

Take, for instance, a station I paid my dues at. In the morning, it was a mix of local news, national news, and religious programming. It made a change to “Classic Standards” (Frank Sinatra, Dean Martin, etc.) at 9 a.m. Then, at 12 noon, there was an hour of “Checkerboard Time”, which was old Sons of the Pioneers and the Chuckwagon Gang singing, interrupted by farm news and grain reports. At 1 p.m., it was time for two hours of Country Music, followed by an hour and a half of Pop Hits, followed by an hour of “Bruce, the King Of Soul”, and finishing out the day was Pop/Rock. Versatile, to say the least.

One had to be a Jack of all trades to do the job. You had five minutes of state news to read before the top of the hour and five minutes of national news to read after the top of the hour station I.D. Of course, you had to have all your commercials either in the cart machine, or sitting in order next to it, and your music out of the news had to be cued up to start when the news was finished.

There were public service announcements that had to be read, birthdays that had to be announced and celebrated, and commercials that had to be written and recorded. The phones rang incessantly, the sister FM station, which was generally automated, needed reel to reel tapes changed, news had to be ripped off the teletypes and rewritten for broadcast, and you had to be witty on the air or you’d lose your audience.

Of course, some of that changed when you hit the larger markets. You still had to pick out some of your music, even though the Currents and rich soundboardRecurrents were in a box beside you for easy access and heavy play rotation. You were now in a market that was in the ratings book, so you really had to be aware of your audience and what amused them to simply hit your numbers and keep your job. The news was usually recorded by a true station newsperson, and the commercials were written by a production staff (which usually meant you had to fit 90 seconds worth of copy into a 60 second spot).

Pay was never good. Oh, you could survive, but the days of Howard Stern and other greats were yet to come. The real perks, for the single guy, came in the form of disc jockey groupies. No matter where you went, if you looked halfway cool, you left with a great looking partner.

There were times this was dangerous, though. One could find themselves invited to a party that turned out to be an orgy, or arrive to find Godzilla awaiting. Many of us used to tell our phone date people to meet us at such and such bus stop, and we’d pick them up in a fancy car we’d make up. We’d then drive by, see what was waiting there, and most of the time, quickly drive away in our Chevy Vega Woody Station Wagon! (I know, how callous and shallow of us! Still, you didn’t see the Godzilla we did!)

As Clear Channel and other groups bought out independent stations and made them all sound the same, many of us left the announcing industry. Luckily, I found my way into stand-up comedy. Others weren’t so lucky. I know of several that are M.C.’s at strip clubs. (I understand the perks are still quite good, though!)

The satellite radio industry still has its star announcers, as do some local stations, especially with a live morning crew. Otherwise, radio has become monotonous as the jocks are saying the same things, stations are playing the same music, and the music industry has gone in quality decline.

Wolfman JackWolfman Jack’s portrayal of a station disc jockey in the classic film “American Graffiti” is a good example of small town radio. At night, one could stretch the limits and play music not allowed in prime time. One could express opinions somewhat, as long as they didn’t conflict greatly with station policy. And, one could sit back in the silence and envision a day when they would be the master of the airwaves.

For most, the vision was only a dream.

Still, I cherish those memories. I remember having to go on a remote at a grocery store and talk for 15 minutes an hour about the world’s largest piece of cheese on tour there. (It’s the only time I could say “cut the cheese” on the air and get away with it!) I remember interviewing many rock stars that were making a comeback and hitting every little concert hall they could to revive their fame. I remember standing in front of the glass window as another jock was reading the news and doing my best to make him laugh during it. And, I remember getting ticked off at our station manager, cussing my ass off as I got up to go to another room to reset the reel to reel automation system, and looking up to see the “On Air” light still on as I left the broadcast booth. (Yeah, that one got me in trouble.)

I met my wife while I was in radio. In fact, let me introduce you to Godzilla I.

Yes honey, I was just joking. Now, go soak your tail to keep from getting all scaly!

About the Author:

Having grown up during the 50′s & 60′s, Rich was a personal witness to the confusion of the times. His love of music drew him into the conflicts of the day as he protested many of the atrocities in civil rights and an overseas war. Ironically, military service, during the final days of the Vietnam Conflict, ended a music career in a successful band. However, his love of music held true as he later chose a career as a radio announcer over law school. Here, along with being able to play the music he cherished, he interviewed many top music acts. This allowed him to gain much knowledge of the recording industry and the psyche of music artists in rock, jazz and R&B. Later, his love of performing transformed him into a career in stand-up comedy. Twenty years later, his love for music continues. Quote: “Being born in 1954, Rock ‘N Roll and I have grown up together. I wouldn’t have had it any other way!”


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The Magical Mystery of Music

If there was no such thing as the magical mystery that is music, I wonder what humans would do to pass the time? If I couldn’t hum to myself or learn to produce tonal incantations from odd and diverse objects, then how would I express myself beyond the fragmentary thoughts that bind my mind and yet escape before I ever once catch them?

I am a child of the 70s. Technically I was conceived in the spring of ’69, which I’m told was a pretty darn good year. My mother used to tell of having morning sickness while watching Neil Armstrong walk on the moon. Now that’s a prenatal story if I’ve ever heard one.

And as a child of the wild and woolly 70s, I was epically, perhaps even defiantly, Raised on the Radio. My father came from the time of the Stones and the Beatles, and my mother loved Elvis. There was rock, country, rockabilly, Motown, blues, and everything in-between.

Home on Deranged Top of the World

One of my most vivid memories from when I was probably 3 or 4 was standing on the stool at my parents’ bathroom sink, my dad’s trusty transistor radio blaring in the early morning hours as he dressed for work, my mom still snoozing in bed. Karen Carpenter’s heart-achingly beautiful voice was telling me she was “On top of the world /looking down on creation /and the only explanation I can find /is the love that I’ve found /ever since you’ve been around /Your love’s put me on the top of the world.”

Do you know I can still sing along perfectly to that song? That’s how much I loved it, and that’s how much it moved me, even if I didn’t understand it, and even if I had no idea what was waging in the newspapers that very day.

I can remember John Denver (one of the first concerts my parents took me to), and Peter, Paul & Mary, as they told me about “Puff, the Magic Dragon,” and I knew that the song had a sad ending, even if I couldn’t tell you why. But then they would play “If I Had a Hammer,” and I would revive my hope for the world.

There was Johnny Cash, telling me about some kind of “Ring of Fire,” but why in the world would he walk it? Then Conway Twitty would step in, usually with Loretta Lynn, and remind me that true love won’t let any obstacle stand in the way.

My parents introduced me to Ray Charles and Mac Davis, Charlie Pride and Herb AlpertHome on Deranged Herb Alpert

(the lady with the shaving cream on the album cover was delightfully naughty to a 5 year old), along with Bill Cosby and his humor albums and Ricky Nelson, who I loved to watch on “Ozzie & Harriett.” Garden Party, anyone?

As for myself, I found Shaun Cassidy and the glory of “Da Doo Ron Ron,” because I just knew he invented that song. The first 45 I ever bought with my own money was Kim Carnes’ “Bette Davis Eyes,” and nearly played it til the grooves wore off the thing.

There was Kenny Rogers, and I can still sing along to “The Gambler,” “Lady,” and “Ruby,” as the soldier begged, “Oh girl, don’t take your love to town/for God’s sake, turn around.” The Vietnam War echoed all around the land, even in music, because I’ve heard Marvin Gaye and Buffalo Springfield telling us all to ask what’s that sound.

Some of my best radio memories are trips to my grandparents’ house, where I would lie in the back seat (it was the 70s, people) and listen to the “oldies” station for the two hour drive. As the Four Tops and the Temptations and The Supremes told me all about love, Jim Croce, Carole King and James Taylor smoothed out the rough edges to lull me into sleep.

I saw “The Graduate” when I was probably younger than appropriate, but Simon & Garfunkel colored my world for years. Then the raw storytelling of Harry Chapin, Don McLean and Marty Robbins…stories that you don’t really hear anymore.

Sure, I’m an 80s baby, too. I love me some Duran Duran and U2, Bon Jovi and Motley Crue, REO Speedwagon and ABBA, but the Eagles will always be one of the most defining bands for me, because they are ingrained indelibly on my memory as powerfully as mind pictures of my mom and dad.

Home on Deranged music memories

I still listen to the radio. There’s a station here that plays a mix of 70s, 80s, 90s and now. I even listen to the top 40 and adult contemporary. But I hope I raise our girls on the radio, too, because you never forget the music that binds you across the years and generations and forever holds you, grounded, and yet, on top of the world.

About the author:

After a career as a newspaper reporter and editor, Melissa Swedoski thought she was well informed on the chaos of everyday life. Then she married a man 13 years her junior and became a SAHM to two toddler girls. Now, she’s mumbling through the mayhem of marriage and motherhood in a small Texas town, turning her investigative eye on the mishaps and misadventures of parenting and the marathon that is marriage, always with the emphasis on humor and love. You can find her living her big little life at Home on Deranged.


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Sly and The Family Stone takes you Higher!

sly higher!

Everybody is a Star

The best thing that could have ever happened to me and Sly was the release of the new box set – Sly and the Family Stone, Higher!

Growing up in the 70’s I was spoon fed Sly. I wasn’t living in San Francisco, and even if I was, I am pretty sure they wouldn’t have let a 4-year-old in his shows. So how could I possibly know?! HOW!

The truth is, I really didn’t become acquainted with Sly that much until I was a, let’s say, “free-thinking” college student looking for the funk. But even then it was just the freaking tip of the iceberg. And when you spend a lot of time with the tip of the iceberg, it starts to get old. And boring. And gray.

Ah, so how is it, that 40 years after Sly’s genius was being recognized I am only seeing it now? Because, this is one of those rare instances where the record industry did see it. Those record puppeteers pretty much gave Sly free rein. That is how you KNOW he was a genius. Sure, they gave him so input, and he gladly took it. He was not at all averse to “dumbing it down” to get in the door.

But the sheer truth is, that Sly and the Family Stone were at their very best playing live, they never failed to fill a venue. And frankly, when they were given free rein to jam in the studio, it was magical.

Did you know he wasn’t always the singer, or ever the only one? He was the magician, the creator – the genie on the sweet keys, or maybe making those strings sing, or maybe all of it. Because he was that guy.

He was that guy who ONLY played what he felt, he only wrote his truth. The music, the words they really came from his soul. He never sold out, he was perfectly happy with the idea of making his music accessible to the masses because even the straight folks should be able to enjoy his music.

If you ever had any doubt at all of his genius or his truth. Listen to this Live version of Stand! Sly will bare his soul and lend you a hand all at once.

Oh, you have to listen to this.

The more I read about Sly, the more I wanted to hug him, sit with him, be in his presence, have a conversation with him. A gift like his is so rare. It really is, that to just be able to share a moment with it, can enrich for a lifetime. And although The Family Stone has played without him, and don’t get me wrong they are some FREAKING amazing musicians, it’s not the same as the man. You can play the music, but the music was born out of the man.

I’ve read a lot of people who said is music was “simple” but when you look at the big picture, it was anything but. Sure some songs were technically simple, but look at The Beatles, it doesn’t make them any less genius.

And I’ve read that Frank Zappa didn’t think much of him, which I find fascinating and disappointing. There must be some underlying story there, because my only reason for looking into that question was some similarities I heard, as a Zappa fan. There’s allusion to Frank thinking he was a sell-out, but Sly was not a sell-out, he genuinely wanted everyone to “Dance to the Music”.

Following The Dead for so many years I can only imagine that a Sly and the Family Stone show would have been like that times a million as far as the jams and getting down, man Getting Funky!

Talk about a time when you had to be there to truly understand! Luv N’ Haight, man – I took a break from life for a while and crashed with some friends for a few months in San Francisco. Spent many a day up by the Haight, but it was not this. Nope. Those days are gone, we can only listen now.

Also, love to hear Cynthia sing.

Sly and Carlos Santana got really close, listen to this song, sound familiar? Music was love, Sly was happy for his songs to be repurposed and redone between people who loved music.

I Ain’t Got Nobody – Sly and the Family Stone

Do you know how many songs you’ve known and loved by other artists?

Turn You Loose – Sly and the Family Stone – This is how it’s done.

How about a song that starts out as a dis-jointed children’s song we all grew up with and turns into a funky jam, with an amazing horn section about social injustice?

Underdog – Sly and the Family Stone

Sy and the Family Stone opened the door for R&B funk bands like Ohio Players, George Clinton, The Parliament Funkadelic (or P-Funk), Kool and the Gang and even Stevie Wonder. Disco owes its life to Funk and Funk owes its acceptance to Sly Stone and James Brown.

Look further into Sly and The Family Stone, you won’t be sorry. I admit his Greatest Hits get’s your body groovin’, but the hidden gems are the songs that got no air time, and even the songs that never made it to an album.

Check the new box set out, you won’t be sorry.  Grab it on Amazon, don’t take a short-cut and just get the music. You NEED the book that comes with it. The images and the biographical information about each song is priceless.

Sly and The Family Stone Box Set – Higher

I never intended to write Sly and the Family Stone Higher! Review I discovered it at my local library and had to have it. So if funds are tight for you, I get that. I would totally check out your local library! Mine had this! But then it was so awesome I had to buy it anyway.

About the Author:

Jen Kehl is a 40-something chick, who has finally come to terms with the fact that she is still a deadhead music freak trapped in side the body of someone’s mother. She often finds herself stuck in the 70′s with the all of the rainbows and unicorns.  She blogs at My Skewed View and created the music site Raised on the Radio, where she’s tricked a bunch of awesome writers into sharing their music experiences with you. She is also a published author as part of the anthology The Mother of All Meltdowns available on Amazon.

Connect with her on twitter @jenkehlFacebook, and Google+.


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]The Stones at JFK Stadium, 1978

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photo: Mike Brody

The following is an excerpt of the original review:

Peter Tosh was better than the treatment the crowd was giving him. I had never heard reggae live and Tosh was the real ting.  The Philly crowd was not as interested. Tosh left the stage to a roar of STONES! In the lull between set ups I went looking for a place to do a little crank. I had lost my friends and was now on my own adventure.  I found myself walking in between the trucks parked on the side of the stage. These were Rolling Stones trucks, decals of the red lips logo, ‘Reefer Rollers’ bumper stickers, and the whole nuts and bolts of the rock and roll circus.  A rough looking driver was staring me down, I asked him if he could use a little pick me up and he said “Step right up in the cab my young friend!” After a couple blasts the driver introduced himself.

“I’m Fred but my friends call me Ferd!” He talked about some of the wild orgies he’d been too and then he said the Stones would be out in a couple minutes, he took a couple twenty bags and I said thanks and he said “No, thank you!” Ferd gave me a personal escorted walk to a  roped off area full of amazing looking happy people.

I was standing directly in front of the stage when the band came walking on and picked up their instruments.  Even at 17 I usually didn’t like music that a lot of people liked, but the Rolling Stones represented the beginning of English blues rock and I liked them in spite of their style changes and fame. Their last great album had been Exile on Main Street. I knew what depths they were capable of.

The first song was Chuck Berry’s Let it Rock, a chunky mid tempo stomp which segued into Exile’s All Down the Line.

Whatever style this was just sounded great for the frequency I was on. There was nuance in the music that was very much theirs. Simple tricks, a thick bar chord suddenly finger picked into a vulnerable blues chord and then the slide guitar connecting them back together. Not a bad tone on the stage either. The Stones sounded like musical dirt, brown, wet dirt. While the over all demeanor was hard and dangerous there was an odd sense of humor about the whole mess. At some point early on they played a very pained Love In Vain. This was guitar laden emotional blues and it sounded right out of the legendary 1969 tour.

I knew this world was fleeting. Even at that moment in my life at that concert I knew it would somehow go bad and curdle or even worse, become a gentrified thing of some kind. I remember fighting back tears for a special time in peril. This is what the music was saying at that moment, all your loves in vain. Who would even care about this song in a few years? In to this mix came the new stuff which fit in pretty well with the old stuff, “when the whip comes down, da da”, this song recalled the old mid 60’s chainsaw sound captured on ‘Got Live if you Want It’. ‘Beast of burden’ came on like an old soul song but just a little sonically darker. Old greats followed, reworked slightly and played with an urge and feeling that bordered on the edge of control. Joints were passing freely through the crowd and the whole concert started to feel like a party when people are starting to get too wild and intoxicated.

After the light and bouncy soul classic ‘Just my Imagination’ a very new song started. A phase shifted two chord rock riff with a tense rhythm. “Shattered – shattered”. The stones weren’t as much playing now as burning the song. This smelled like the new music. I took a look around and the 1970s Philly crowd was perfectly morphing to this rhythm. This was a hard edge song for some hard edge people. “To live in this town, you must be tough, tough, tough, tough, tough, tough, tough…” The Stones were grinding out punk, but as innovators. Stripped down and animalistic, but of course with this waning generations hippy blues sensibility which would be, in a couple years, on the run. Shadobee.

Chants of “More” were my cue to start trying to navigate back to the street and find the van. I was completely satisfied and ready to be out of this hot throng of humanity. While I was heading for the exits I noticed that the band had not come back on and then I was startled by a sudden barrage of explosions.

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the author, back in the day

photo courtesy of Mike Brody

Turning around revealed a riot going on. The stage was being blown up by M-80s and wasted wild men tearing down drums and amps and equipment. Security must have been taken by surprise because the three or four guards swinging mic stands and two by fours were not stopping the mayhem. I didn’t stick around to see the ensuing battle but I felt like those people could not have truly been disappointed by this music. I asked some one why everyone was pissed and he said he felt ripped off by the lack of an encore and no stage show. I can understand the encore issue being an insult to someone who had made this their whole weekend, but why would he need a stage show? Isn’t a guided tour through the history of heartfelt blues and traditional rock and roll music enough to handle without some blowup penises to go along with it?

Mike Brody is a musician, songwriter, video and recording producer, and writer. He lives in New Jersey. His band Brody’s Monster will be at the Light Of Day Festival at The Saint in Asbury Park Sunday January 19th at 8:00 pm. He is currently working on a book with the working title “Real Strange Things That Really Happened To Me”